(Gilles Deleuze, Felix Guattari – A Thousand Plateaus)

We must ask if reflexive, spiritual reality does not compensate for this state of things by demanding an even more comprehensive secret unity, or a more extensive totality. Take William Burroughs’s cut-up method: the folding of one text onto another, which constitutes multiple and even adventitious roots (like a cutting), implies a supplementary dimension to that of the texts under consideration. In this supplementary dimension of folding, unity continues its spiritual labor. That is why the most resolutely fragmented work can also be presented as the Total Work or Magnum Opus. Most modern methods for making series proliferate or a multiplicity grow are perfectly valid in one direction, for example, a linear direction, whereas a unity of totalization asserts itself even more firmly in another, circular or cyclic, dimension. #blacksun people.WSB

“Does it not seem that alongside the two models, sacrifice and series, totem institution and structure, there is still room for something else, something more semore” (Gilles Deleuze, Felix Guattari – A Thousand Plateaus)

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